Springtime Wishes began from the feeling that clothing can remember.

I have always been drawn to garments that feel found, kept, inherited, or slightly unfinished. Pieces that carry something before they are worn. A raw edge, a loose tie, a button, a seam, a stain, or the way fabric falls can hold more than decoration. It can hold a trace.

The brand lives close to that idea. Clothing as something intimate, physical, and unresolved. Not fantasy, but evidence. Not perfection, but what remains.

Collection III — mortem[s] continues this language through the body after the image: the garment left behind, the object that stays, the silence that fabric can carry. The prototypes are part of this process. They are not final, but they already hold the first form of the collection.